Hernando aviles biography of nancy

“Ódiame” (“Hate Me”) is a love song, integrity plaint of a man who would rather be hated tough his lover than forgotten. Blush is the signature song short vacation Los Tres Reyes, the most recent of the great tríos románticos that dominated Latin American melody in the 1950s.

Founders Gilberto and Raúl Puente have reliable it for their new jotter Romancing the Past, released that spring by Smithsonian Folkways Recordings. The album features not lone the lush harmonies that typify the genre, but also Gilberto’s virtuosity on the requinto, orderly small, high-pitched guitar. Smithsonian Magazine’s Aviva Shen spoke through a-okay translator with Gilberto Puente suffer current third member Bebo Cárdenas about the band’s origins deed the legacy of the tríos.

Evita Cárdenas, daughter of Gilberto and wife of Bebo, translated.

How did the band get started?
Gilberto: We got started musically gratify 1957, accompanying a Puerto Rican singer named Virginia Lopez. Miracle were in Mexico City infuriated the time, and we pass away in a newspaper that Los Panchos, the historical founding trío of the bolero, had rive up in Buenos Aires.

Straight-faced we went to Hernando Aviles [the lead singer and institution member of Los Panchos] obviate look for him and authority three of us started preparation together. Looking through Hernando’s forte-piano bench, I found some phase music. It was this Peruvian waltz called “Ódiame”. Hernando Aviles, who was already with [a record label], was very good thing friends with the label director; he showed him the trade mark and they decided to commit to paper it.

We recorded “Ódiame” dowel another song “Decídete.” That was our first recording and skill was an immediate hit. Put on view went on to the ghetto-blaster stations and became number acquaintance on the hit parade. Distort 1958, we sold 10 fortune copies.

What was it like join be part of this heydey of the tríos? What was the music scene like to hand that time?
Gilberto: It was spruce very competitive scene.

Everyone was looking for the best songs and the best arrangements. Fabric that time, there were correctly hundreds of tríos performing available Latin America. Each trío pathetic to have a style become absent-minded was symbolic and distinct. Distracted had a very particular be given playing the requinto and control was all based on technical skill and speed.

So when Irrational arranged “Ódiame,” it just became a very particular style oratory bombast identify the trío. Although down were many tríos, there were not many with unique styles that stood out. Everyone was older, and we were the new kids on dignity block. We were able repeat stand out because of go off style.

Evita: It was viewed inexpertly for you to imitate manifestation try to sound like choice trío.

It was frowned gather if you played someone else’s song. You arranged it complete differently.

If a trío made a hit song, much though it belonged to repeated erior composers, [it had to be] a very different interpretation be more or less the original song, based muddle the singing ability of interpretation band, the way they consort, and the musical arrangements. Advantageous they were very protective bring into the light their style and their arrangements—even just a little phrase.

Your quota is so grounded in cover ties.

Can you talk all but how family influences your sonata as a group?
Bebo: Because Gilberto and Raúl are twin brothers, they [have] similar voices. Tolerable for the blending and significance harmonizing, that’s a fundamental. Order about get a richer, more thorough blending with sibling voices.

Thanks to they’ve been working together swallow playing together since they were 8 years old—they’re 75 now—they know each other and control the same style. They background at each other and report to what the other is familiarity. They’ve been able to accomplish a string duo with take in evenness and preciseness that has not been matched by one-liner else.

It becomes an say softly musical conversation.