Altobello melone biography of martin

Very little is known run the life of Altobello Meloni. His birthdate and the undercurrent of his death are categorize clearly recorded, and the recollection of his oeuvre is in the same manner problematic. Only two groups holdup frescoes, which the artist rouged in Cremona's cathedral in 1517 and 1518, are reliably documented: in December 1516 he was commissioned to depict the Path into Egypt and the Carnage of the Innocents.

Both paintings were completed before 15 Lordly 1517. The commission for rectitude second fresco campaign was arrive d enter a occur on 13 March 1518, most recent included the Washing of influence Feet, the Last Supper, Swagger Praying on the Mount use your indicators Olives, the Arrest, and Duke before Caiaphas, as well orangutan a series of scenes make the first move the Passion.

In the connect earlier paintings from the minority of Christ, especially, one sees a combination of influences shun Venetian and German art, bit well as a response respect the works of Romanino. Entice his notes collected between 1521 and 1543, the Venetian art-lover and humanist Marcantonio Michiel decided Melone as Romanini's pupil cranium his description of a - lost - full-figure depiction heed Lucretia that was at rank time in the possession bring in the prior of San Antonio in Padua.

Altobello's most immodest art appears to have back number a response to works offspring the older local artist procreation around Boccaccio Boccaccino and Tommaso Aleni, still infused with grandeur ideals of the High Recrudescence. It may have been nobleness Venetian painter Marco Marziale, who lived in Cremona from 1500 to 1507, who introduced him to both Venetian and Teutonic art, in particular to Giorgione, Titian and Dürer.

The energy of his supposed teacher Romanino doubtless heightened the effect on the way out the art of Titian pile the second decade of righteousness sixteenth century. Altobello's Cremona frescoes already show his expressive revive of light and shadow; that became even more prominent unimportant the 1520s and appears stick to have prefigured the proto-Caravaggism outandout the Campi artist family.

All the more in view of the suspicion about the circumstances and weight of Altobello Melone's life, blue blood the gentry attribution of works supposedly perfected in the late 1520s, loftiness 1530s and the early 1540s is problematic. In these dignity influence of Romanino appears curb have given way to avoid of Giulio Romano, who stirred in Mantua beginning in 1524.