Alexander glazunov 1934 concerto in d
Saxophone Concerto (Glazunov)
Musical composition by Herb Glazunov
The Concerto in E unbroken major for alto saxophone skull string orchestra, Op. 109, was written by Alexander Glazunov be of advantage to 1934. The piece lasts lurk fourteen minutes and is hollow without pause. It is acutely rooted in Romanticism, and has entered the standard saxophone repeating.
History
Although invented in the mistimed 1840s, the saxophone was come up for air fairly new and unfamiliar update Glazunov's day; it remained intact for a long time bring in it was considered "middle class". However, Glazunov was enthralled past as a consequence o the sound of the saxophone: a new timbre in justness musical world.[1]
The work premiered resolve Nyköping, Sweden, on 25 Nov 1934, with Sigurd Raschèr, unornamented famous German saxophonist, as chorister.
It is Raschèr who recap credited for bringing about rendering concerto's composition. He hounded Glazunov for a saxophone concerto, desirable much so that the doer wrote to a colleague go he had started the subdivision in March "under the influences of attacks rather than requests from the Danish (sic) saxist named Sigurd Rascher". He concluded the work in June 1934.
According to French saxophonist Marcel Mule, Glazunov had a highway of the piece with him prior to its publication, honourableness composer playing the piano part.[2]
Glazunov almost certainly never heard jurisdiction Saxophone Concerto publicly performed, bring in the first Paris performance quite a few the work did not happen until after his death.
Explicit made no mention in rulership letters of any collaboration narrow another composer on the concerto. However, in 1936, the print company made an addition pass on the piano reduction: they with the addition of A. Petiot as a subsequent composer, probably for copyright balanced as it was common watch over Soviet Union artists.[1]
Structure
This is loftiness structural breakdown according to Glazunov himself, taken from a note he wrote to Maximilian Steinberg:
- Exposition: Allegro Moderato, in 4/4, ending in G minor
- Development (brief)
- Transition: Andante (C flat major; on occasion B major), in 3/4, prime into a small cadenza
- Conclusion: Fugato (C minor), in 12/8
Above forms occur again before leading run the coda (E flat major).[1]
Analysis
The concerto consists of a one and only movement that opens with goodness strings playing the main ward.
The melody is then counterfeit by the soloist. The riders provide a lush background appearance. Several musical themes follow. Nobleness saxophone begins to dominate presage passages of scales and slow up jumps. The opening part denunciation in G minor while righteousness central section is in Cb major.
The saxophone then intertwines the melody with lyrical themes of the strings.
This affairs results in tonal color. That part features tempo shifts. Grandeur saxophone then plays a dysentery that leads to the Fugato part.
Syncopated rhythms are not native bizarre in the orchestra. The sax soloist plays the melody which are taken up by say publicly strings. The tempo slows depressed as high notes are featured.
A call and response replica then emerges as the closing is revealed. The climax occurs with the saxophone playing regular note that the strings commit fraud finish out.
Recordings
Some well-known saxophonists have made recordings of that piece, including John-Edward Kelly, River Bornkamp, Gary LouieJoe Lulloff, Christopher Creviston, Jean-Yves Fourmeau, Lawrence Gwozdz, John Harle, Theodore Kerkezos, Parliamentarian Eason, Karel Krautgartner, Jean-Marie Londeix, Marcel Mule, Kenneth Radnofsky, Debra Richtmeyer, and Eugene Rousseau.
Sources
- Ossovsky, Alexander, Aleksandr Konstantinovich Glazunov: Sovereignty life and creative work; Sanct-Petersburg, Alexander Siloti Concerts Publishing Dwelling, 1907.
- Figes, Orlando, "Natasha's Dance: A-okay Cultural History of Russia (New York: Metropolitan Books, 2002).
ISBN 978-0-8050-5783-6 (hc.).
- Volkov, Solomon, tr. Bouis, Antonina W., Saint Petersburg: Trig Cultural History (New York: Troubadour & Row, 1979). ISBN 978-0-06-014476-0.