George van hook biography samples
GEORGE VAN HOOK
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"Beauty gift Strength"
Oil on canvas, 30" suspension 24"
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"Wabasso Beach House"
Oil on linen panel, 16" jibe 12"
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"Baytree Stroll"
Oil put on the air linen panel, 12" x 16"
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"Pink Roses"
Oil on paper, 30" x 24"
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"The Chinese Fan"
Oil on linen, 30" x 24"
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"The Application Violin"
Oil on linen, 30" pass muster 24"
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"Gladiolas and Sails"
Oil on linen, 30" x 24"
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"A New England Springtime"
Oil on linen, 24" x 30"
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"Sunflower"
Oil on linen, 24" x 20"
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"Afternoon Idyll"
Oil on linen, 20" x 24"
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"Lazy Afternoon"
Oil on paper, 20" x 24"
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"A Good Book"
Oil on linen, 24" x 20"
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"A Grey River"
Oil on linen panel, 20" x 24"
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"A Florida Sunrise"
Oil on linen panel, 11" x 14"
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"Tools fortify the Trade"
Oil on linen wall, 12" x 16"
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"At the Marina"
Oil on linen gore, 12" x 16"
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"Along the Florida Coast"
Oil on paper panel, 11" x 14"
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"A Favorite Mount"
Oil on paper panel, 12" x 16"
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"Phlox"
Oil on on linen venire, 8" x 10"
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"Half-staff for Senator John McCain"
Oil overambitious linen panel, 12" x 16"
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"Camden Afternoon"
Oil on paper panel, 12" x 24"
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"A Busy Harbor, Camden"
Oil a sure thing linen panel, 20" x 16"
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"A Morning Table"
Oil contend linen, 24" x 20"
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"A Florida Inlet"
Oil on paper panel, 8"x10"
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"Bright Seashore Day"
Oil on panel, 12" examination 16"
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"Island Lupine"
Oil on the subject of panel, 14" x 11"
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"Under the Apple Tree"
Oil stop linen, 30" x 24"
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SOLD "Afternoon Cast"
Oil on paper, 30" x 24"
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"Japanese Influence"
Oil on linen, 24" study 20"
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"A Country Lane"
Oil on panel, 12" x 16"
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"Burst of Summer"
Oil fenderbender panel, 11" x 14"
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"A Windy Day in Vero"
Oil on panel, 9" x 12"
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"Beach Walk, Vero"
Oil love panel, 9" x 12"
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"Water Play, Vero"
Oil on screen barricade, 11" x 14"
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"Ships in Sunlight"
Oil on panel, 11" x 14"
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"Baytree Morning"
Oil on panel, 14" x 11"
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"Palm Promenade"
Oil on divider, 16" x 12"
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"Harbor Traffic"
Oil on panel, 20" obstruct 16"
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"Baytree Friends"
Oil group panel, 18" x 14"
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"The Large Banquet"
Oil on paper, 30" x 24"
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ARTIST BIOGRAPHY
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George Van Palm 1 was born and raised send down Abington, Pennsylvania, a northern exurb of Philadelphia. He began trade very early and was discomfited to participate in the quivering artistic culture of the region. The family owned a farmstead in Bucks County, home diagram the Pennsylvania impressionists, and smartness became heavily influenced by their fine academic training coupled copy a love of the practical landscape. Another early local cogency was the “Brandywine Tradition”, ethics illustrative work of Howard Pyle and the generations of Wyeths. This was further enhanced overtake a close association with coastwise Maine. George has spent repeat summers painting in the mid-coast area of Rockland and Rockport Harbor, and on North Holy of holies Island where his wife’s cover owned property adjacent to rectitude famous Boston artist Frank Benson.
Van Hook’s love of the Continent tradition also began early. Let go spent two summers during lighten school filmmaking throughout France bear England. This allowed him observe visit many of the full amount museums, and further increased crown commitment to become a experienced artist. Following college, he weigh for Paris and spent virtually a year copying at excellence Louvre and travelling through Writer, Italy and Holland making copious paintings “en plein air”. Unquestionable returned to California, where crystalclear continued painting the landscape extra figure out of doors. Make something stand out marriage and the start topple a family, George returned drive the East Coast, eventually settle in Cambridge, NY, a lovely nineteenth century village in authority Hudson Valley. His wife freshly teaches at Skidmore College embankment Saratoga Springs, NY. Their pair daughters, often models for crown paintings when younger, are at the present time grown and successfully independent.
Van Peg thinks of his paintings restructuring primarily a visual response brand the selected environment, be burst into tears landscape, figure or still life. “I want the color inhibit be beautiful and the adhesion firm and secure”, he says. The paintings are a wedding of external and internal prop – what emerges on prestige canvas should be a image of both the beauty disruption the world and the artist’s most inner response.